La Belle Epoque
Victoria Hall, Grange-over-Sands
5 February 2011
There are many good amateur choirs in Cumbria but, judging by their performance in the Victoria Hall, Grange-over-Sands on Saturday 5 February, the Wordsworth Singers must rank as one of the finest. Under the title "La Belle Epoque", and working under their talented musical director Mark Hindley and pianist Sam Hutchings, they presented a programme of late romantic and early 20th–century French music by Debussy, Fauré, Milhaud, Poulenc, Ravel, Saint-Saëns and Satie – an ambitious programme that would present a challenge even to professional choirs.
It is to the choir's credit that they brought off this programme with a display of disciplined and expressive choral singing. French music of this period requires careful tuning and it was obvious that great attention had been paid to this. But there were many other features to admire: clear shaping of phrases, rhythmic vitality in abundance, well-controlled pianissimo singing, clear articulation, and a good blend. Balance, too, was impressive: given the large number of basses (ten) in a choir of thirty voices, there was a danger that the choir might sound bottom heavy, but this never happened.
The singers are capable of producing a wide dynamic range, but it was the quieter singing that drew the best from the choir. Perhaps a little more thought could be given to tone production when the music demands a robust sound.
The programme was enhanced by Sam Hutchings' stylistic playing of solo items – Debussy Preludes, Poulenc Improvisations and Satie’s Gnossienne; and excellent programme notes, in a beautifully produced programme, gave the whole evening a professional feel.
It is sad that such a carefully devised and interesting programme did not draw a larger audience. Performances of this quality are worthy of much greater support.