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La Belle Epoque

St Michael's Church, Dalston
6 February 2011

The Wordsworth Singers must be one of the very best choirs in the county.  If you needed proof you should have been at their concert of largely early 20th century French music, in Dalston on a rainy Sunday afternoon. Fortunately there was a good turn out and they sang to a very appreciative audience.

This was an ambitious programme of music by Debussy, Faure, Milhaud, Poulenc, Ravel and others, challenging both musically and linguistically, even to professional choirs. Intonation was mostly spot on over a long and largely a capella programme, lovely phrasing, rhythmic accuracy and vitality, and some splendidly inventive sound qualities and dynamic range, particularly in Poulenc's Seven Songs.

For me the highlight of the whole programme was the quietest moment of Calme de Nuit, stillness, evenness of tone and beautiful balance; the hairs on the back of my neck stood up. In a few big moments, there was a slightly harsh tone crept in, plus the odd shaky tone quality – but I'm being picky. It was a very impressive programme. Sam Hutchings's Satie, Poulenc and Debussy piano diversions were elegantly played.

The Wordsworth Singers have been developing very well under their previous high profile conductors but under Mark Hindley's drive and imaginative programming they have progressed still further, both musically and professionally. For my taste it has got a little large as a group, but it's still a serious-minded and accomplished group of singers, many of whom are able to contribute as soloists as well.

Anice Paterson