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Child of Joy

Greystoke Church
16 April 2011

A sunny April spring evening, a medieval church, Cumbrian countryside and the company of good friends: add to that some exceptional music-making and this surely must be the recipe for a memorable occasion.  All this was realised by the Wordsworth Singers on Saturday April 16th at Greystoke where a programme of 20th century unaccompanied choral music, interspersed with violin solos, was directed by Charles Harrison, making a welcome return from Lincoln Cathedral. Charles was one of the founder directors of the Wordsworth Singers and his clear and expressive conducting showed an impressive rapport with his singers.

The imaginatively planned programme used as its framework the astonishing setting of the Mass by the Swiss composer Frank Martin. This work from the 1920s presents many challenges for singers with its tricky harmonic progressions and complex rhythms and, apart from an occasional uneasy moment and slight sagging of pitch, the Wordsworth Singers were quite frankly magnificent. Particularly memorable were spine-tingling top Bs from the superb sopranos, excellent precision from the altos and a well balanced sound from the tenors and basses. Clear diction and some impressively neat rhythms, especially at the Benedictus all contributed to an exceptional performance.

A setting of part of Wordsworth's Intimations of Immortality by the Canadian-born composer Harold East provided the first contrast.  Child of Joy was written for this choir and the singers revelled in this well crafted and expressive music. The presence of the composer added to the sense of occasion. Then three pieces by American composers Barber, Manz and Whitacre gave ample scope for the choir to demonstrate a beautifully controlled and blended sound.

The two violin solos provided a perfect contrast.  Movements by Bach and Prokofiev were given wonderful performances by local musician Amy Cardigan, now a member of the BBCSSO. The Bach had just the right amount of rubato and the Prokofiev was full of colour and energy: both showed real musical sensitivity.

With such imaginative programme planning and professional execution, the Wordsworth Singers' reputation can only go from strength to strength – don't miss their next concert!

Hugh Davies