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Echoes of Nature

United Reformed Church, Cockermouth
8 October 2011

The United Reformed Church, Cockermouth, echoed to bucolic birdsong, babbling brooks, undulating seas and crepuscular landscapes, in the Wordsworth Singers' first concert of the season. "Echoes of Nature" was a fitting title for what was a very daring and thought-provoking programme.

The evening's entertainment focused on the upper voices of the choir, and as the backbone to the programming here, were the excellent yet unusual Hegyi Éjszakák (Mountain Nights) by Kodály. These five wordless songs were performed wonderfully, despite difficult intervals and entries.

Three other modern composers were also featured (this time with the gentlemen of the choir intow); Gabriel Jackson, Eric Whitacre and Javier Busto. The first two of these composers really did paint vivid pictures, yet it is one thing to be able to produce such works of, yes, beauty, and another to be able to sing what the composer demands. The choir did both in executing this tremendously difficult music and portraying it so assuredly. The piece by Busto Sagastipean was a tour de force; a foot stamping folk dance from the Basque Country; the choir revelled in its colourful intensity as did the audience. At the end, the piece simply faded away in one of the most controlled diminuendos I think I've ever heard!

Of the other music performed were some rare treats: Sur la mer (d'Indy), Le Ruisseau (Fauré) and Les nymphes des bois (Delibes) all of which were superbly performed. The range of dynamics in these pieces was very wide, the performers swelling from pianissimo to fortissimo in one short phrase. However, in some of the louder passages, a less confined acoustic would have been more suitable. The only piece that seemed a little out of keeping was perhaps Schubert's Gott in der Natur. It was not performed quite as confidently as much of the other music, and at a couple of points it felt a little under-rehearsed.

Conductor, Mark Hindley, has a wealth of experience as regards choral conducting. He obviously has a great rapport with the choir and is able to draw from them the very best singing and understanding of the score. The choir were indeed fixed on his every gesture; every nuance indicating entry, breath control, phrasing and dynamics was noticed and acted upon, making the concert a joy to watch as well as listen to.

Sam Hutchings provided the accompaniment for several of the pieces. Being an accompanist is an art. Sam's sensitive skill at the keyboard was a delight, gently underplaying his part enabling the choir to shine through. He also provided two interludes, in the form of solo piano pieces (Schubert and Liszt). Here, I feel he could have projected the music more or had a little more presence on stage musically. However, the pieces were very well played, especially the phrasing during the Schubert.

This really was a first class concert. It is a pity and a real worry that there weren't more people in the audience to relish the fine music-making and vibrant programming. If we stand idly by, and do not lend our support to such musical groups, they will cease to exist. Well done Wordsworth Singers, the applause said it all, we wanted more!

Philip Wood