Austin Friars St Monica's School, Carlisle
20 April 2013
On Saturday evening the eloquent, lofty, clean-lined beauty of the chapel of Austin Friars St Monica's School filled with the rich sonorities of Rachmaninoff's setting of the holy Liturgy of the Easter All-Night Vigil. Musical instrumental accompaniment being forbidden in Russian Orthodoxy, the clarity and tonal accuracy of the thirty-five voices of the Wordsworth Singers needed not only to be of the very highest quality, but also to blend and move in perfect ensemble through changes in colour, texture, range and dynamic, all the while presenting the lines of Liturgy for their own sake and not for the sake of a concert performance. So spell-binding was the quality of singing – including an extraordinarily beautiful alto solo in 'Bless the Lord, O my soul' – that members of the audience were hardly mere recipients; rather, they were invited into a closer understanding of the way in which Rachmaninoff's creativity, coupled with the ancient texts and prayers of the Orthodox tradition, can offer nourishment both rich and rare. Although the musical scope and complexity of the composition make considerable demands of all the singers – not least in managing the entire text in Russian – Mark Hindley's sensitive yet unambiguous conducting was captivating for choir and audience alike. He drew out extraordinary richness in choral
breadth and volume (and, of course, serious basso depth) in, for example, the opening 'Call to Worship'; yet he also crafted delicate moments of almost unbelievable transparency in which pianissimo suspensions resolved into almost whispered beauty as choir and conductor worked absolutely as one. On Saturday we witnessed something of what the psalmist must have meant by 'the beauty of holiness' – and perhaps, also, a touch of the holiness of beauty.