21 April 2013
Rachmaninoff's All Night Vigil (often incorrectly referred to as Vespers) is a cruel test for a choir. The fifteen sections encompass the texts of the Orthodox Easter service and last for an hour or longer, during which there is no respite for the unaccompanied singers. As well as needing great stamina, the vocal writing is frequently at the extremities of the range and the intensity of the composer's vision makes few concessions to practicality. The Wordsworth Singers surmounted the enormous challenges of Rachmaninoff's score with consummate ease: this was a performance which captured to perfection the vast emotional range of a work composed at white-heat in just two weeks. The immediacy of the composer's response to the texts was communicated in the most spellbinding way. From the awesome power of the alleluias in Praise the name of the Lord to the spine-tingling slow descent of the basses to bottom Bb at the end of the Nunc dimittis, the dynamic range of the choir was breathtaking. Particular mention must be made of Anne-Marie Kerr whose rich contralto voice and perfect enunciation made it easy to imagine that she must be a native Russian! The performance opened with the intonation sung by the dynamic conductor of the Wordsworth Singers, Mark Hindley, and from the first note to the last it was clear that he was in complete control. Every phrase was beautifully shaped, intonation was perfect and tempi invariably felt exactly right.
How fortunate we are to have a choir of this calibre in Cumbria and what a privilege to be present at such an unforgettable performance of this masterpiece! The sizeable audience were fully aware that they had been at something very special.